Dancing in Caves: what we're finding out

The response to our callout for help with our Dancing in Caves project research has been amazing, and we would love to share a few snippets of things we're beginning to find out along the way...
The response to our callout for help with our Dancing in Caves project research has been amazing, and we would love to share a few snippets of things we're beginning to find out along the way...
Made By Katie Green are offering an opportunity for a student/recent dance graduate to work with the company during our Paul Hamlyn Foundation supported ‘Explore and Test’ project researching ways of using dance within the primary school history curriculum.
I attended the second Dance and Museums conversation event today in Southampton, organised with Pavilion Dance South West (PDSW), with whom I'm now very pleased to be a Discovery Artist, the South East Museums Development Team and Sally Williams. Following on from the last conversation in Bristol in September last year, here are some further key points that I took away from today's discussion and sharing of practice.
People we would love to hear from: Anyone with a connection to caves, mines and underground spaces. We’re particularly interested to hear from miners and cavers. The information we collect through this research will inspire and inform the development of a new piece of dance theatre for family audiences, which will tour from 2017 onwards.
Yesterday I attended the UCL Museums/Impropera Symposium 'Theatrically Re-imagining Collections' (#museumsreimagined). It was a great event, featuring some examples of best practice from Punchdrunk Enrichment/National Maritime Museum, British Museum/Royal Shakespeare Company, Do not adjust your stage/National History Museum, National Museum of Wales/Theatre na nOg and Battersea Arts Centre/Creative Museums, giving me lots of food for thought and raising some interesting questions.